#generational trauma: the movie™

[luxurybrownbarbie]

Everything Everywhere All At Once became the movie of all time™ for me the minute they made Joy the antagonist. The minute Waymond said, “There was one jumper who stood out from the rest; but you pushed her too far. The pressure of it fractured her completely”, it was UP!

Joy was wreaking havoc across dimensions begging for her mother to see her. To see who she created. To force her to understand that the same potential that devastates Evelyn is the same one she inherited. To beg her to understand that if Evelyn couldn’t carry it, how could she?

A masterpiece. Sorry to the haters.

[threebooksoneplot]

what draws you both to jalice/makes you so feral about them as a ship?

you should know we had an entire meeting in order to answer this ask. no this could NOT have been an email (unlike new moon) 🤭

Secretary G took notes. they are as follows (read the bolded parts for a tl;dr)

we kind of see it as though jalice got the traits that edbella weren’t allowed to have, either due to their status as protagonists or because smeyer's mormon background causes her to view these qualities as too sinful/negative for her wholesome Waiting Until Marriage main couple. (examples: alice's materialistic, "shallow," hyperfeminine qualities, her character flaws (especially her manipulativeness), and jasper's aura and history of fucked up violence closer to what you'd find in traditional vampire stories/horror/adult gothics/books not written by a mormon author)

in terms of how much screentime the non-main-love-triangle canon couples get, their relationship is kiiiinda given the next-most weight to edbella’s (examples: jasper's extreme overprotectiveness, the New Moon chapter 19 moment where alice prioritizes jasper and bella is like “yeah I get it, I would do the same.”) basically smeyer gives jalice's relationship a lot of the qualities she finds romantic/ideal, (and which are either similarly romantic to us or entertainingly toxic/a good source of drama), presumably because alice is like her 4th-favorite character after the main love triangle and she wants nice things for her

we both really love how, superficially, as presented in the books, jasper and alice seem to have this almost “courtly love” that smeyer has described as "spiritual." yet when you look closer, their relationship has so many darker undertones—the deep codependency bordering on obsessiveness (mutual, but especially the way it manifests on jasper's end—"I will kill this random teen girl who witnessed edward's jean valjean moment™ because any means are justifiable when the ends are Protecting Alice"), the dark sides of both of their powers, the idea that jasper is only a cullen and/or only a vegetarian for alice's sake, etc. hell, even the fact that they're the only Cullen couple who we know had (gasp) premarital sex 😏 (I mean we assume rosemmett did too, but alas, they don't have that hilarious "carlisle convinced jasper and alice to get married" quote from smeyer)

partially summarized: "jasper’s general desperate willingness to sell everyone to satan for one corn chip if it keeps alice safe (carlisle: I know this and I love you)"

we're forever smug that the movies gave us even more jalice screentime (especially remarkable in such a protagonist-centric universe), including jasper being in the same grade as alice/bella/edward, and the extra jalice kisses in Eclipse and BD 🥺

what we wrote down as the “who’s protecting whom" phenomenon, as coined by G in this old ask. (shannon: "jasper is the toddler you've given the PS2 controller that's not plugged in")

we also like the characters individually. jasper is for the girlies with competency kinks—a stoic caretaker who speaks little and mostly expresses himself via acts of service. we also both love the way in which he needs protection from his own uncontrolled violence (slipping up and killing humans, suffering the pain and fear he inflicts, etc.) he is, in the words of our beloved @liceparade, the "line cook trauma boyfriend"

“It’s hot when there’s a fictional violent man who wet babygirl 😌” —shannon

and alice, unlike bella, genuinely loves being spoiled and bossing people around. she's brat-coded, she's confident and secure in who she is, her god complex ("I'm close enough [to omniscient]") causes fascinating conflict, bella eats drywall from sheer horniness at her merest movement, she dresses like a slut in the Mormon YA Novels and yet somehow escapes authorial condemnation, she has a sickass gothic heroine backstory, she's "annoying," aro started a whole war over her (eat shit helen of troy 🖕), she spaces out in public and has to be led around by jasper, she's one of the most powerful vampires in the world, she's in high school getting a C+ on her precalc test 💅🏻

it's appealing that smeyer frequently puts alice in the center of the series' various conflicts (james' singer and "one that got away," the accidental cause of all the drama at the end of new moon, one of aro's secret True motives for starting the conflict in BD.) this is mostly as a consequence of smeyer using alice as a plot device and/or deus ex machina, but it is in fact interesting

is alice jasper's morality chain? we love pondering this question via fic, meta, etc (especially because...alice ain't exactly a model of ethical behavior herself)

together, the two of them exhibit lots of classic tropes. they're grumpy x sunshine, chatty x silent, opposites attract, etc. to say nothing of that height difference 🥵

we love the yin/yang symbolism of a character with a horrific past paired with a character with NO memory of her past, who is focused on the future and all about potential. not to invoke an ancient phrase but POETIC CINEMA

the next note just says “POTENTIAL in general.” I assume we meant how all of the above stuff creates potential for interesting stories, conflicts, metas, art, fic, etc

G has brought this up in the past, but we love the irony of jasper, a character whose chief desire is to be left in peace, being soul-alteringly in love with the one character who will always be a giant glaring target through no fault of her own. hilarious

[nitewrighter]

Like... Moana worked because you had a very solid Dynamic Duo to carry you through a pretty classic Hero's Journey plot.

Encanto worked because it's basically "Let me work out my generational and cultural trauma through a big ensemble musical."

Those are both Disney movies where the plots are arguably more complex than the plots we were dealing with back in the Disney Renaissance, with the added challenge of not being based on a preexisting fairy tale, or, um... Hamlet with Lions. Like you do have the added challenge of having less time to establish more facts about your characters and settings. But at the end of the day, they still work because they manage to have a strong focus on how they set you up for their various emotional beats.

I don't have a problem with formulaic writing--you want to build a house, doesn't hurt to have a strong frame--but it's giving me such brainworms to try and articulate how Wish as a movie shits the bed by trying to incorporate both the formulaic and the flouting of expectations at once while burying everything under a pile of Disney self-references. You can practically feel an exec breathing down a writer's neck in every scene going "Make it funnier! Add this reference! Make Asha More Relatable��!"

[poognthebrainbois]

Get to Know Us!

Hey Y'all! We're the Songbook System!

Some general/collective info:

• Call us Song! (Unless we specify who's fronting)

• Collectively they/them (but feel free to ask if you don't know a headmate's personal pronouns)

• Bodily 21

• Bodily white

DNI:

• ENDOS/People who think you can choose to be a system.

(Edit: fake systems of any kind - do not fucking interact)

• People who think introjects are their source

• Anyone who uses age regression in a sexual context

• Minors just be safe and know your own boundaries. We will most likely not interact directly.

Please interact:

• Traumagenic systems

• OC writers

• DnD players

• Spn fandom

• Mlp fandom

• Fans of the MCU

• X-Men movie fans (have not read the comics but interested)

• Btvs and or general vampire fan

• Artists!

• Small critter enjoyers

• People with cats

• Shitposters

• Gay people (only the cool ones that are inclusive of aspec people)

Fronters/tags below:

Frequent Fronters/Posters:

(And their sign-offs/tags)

Hal

Werewolf Transgenderism personified. In denial half the time, of werewolf-ism and systemhood. Never our transness. If there's one thing he's sure about it's that. A bro. Needs a hug but will not ask for one.

- he/they 🏳️‍⚧️

- Holder of... Many emotions

- 21

- trans content, werewolf posting, horny on main

- 🧡

- Awoo Ahaha fuck

Echo

Genderqueer cryptid (ex-vampire??) who makes too many jokes at their own expense. Occasionally genuinely funny. Gay. RAGING BPD but that's what the therapy's for.

- they/he/ask

- Host

- 21

- vampire/death aesthetic, bats, bpd feels, whatever he finds funny

- 🦇

Poog

Lil' guy. Muppet child. Loves kibbies, mac n cheese, and our friends. Speaks in solely tumblr vocabulary. Just happy to be here! :)

- he/they

- mood booster??

- lil guy

- mostly cute animals, very specific tumblr humor.

- 💖

- Pooger time!

Paznia

Introject of our first LARP character, looooong history as an alter in the system. Not great at socializing but tries her best. Loves bright colors and nature. Would die for the Crane Wives.

- she/any ("my gender is 'pretty'")

- caretaker, Autism symptom holder

- hard to say. 20 ish??

- aesthetic pics, self-care, Autistic experiences, poetry???

- 💎

- Not Quite Ursa Minor

Michelle

The daughter our mother could've had. Initially a "Catty Bitch" and boundary enforcer, she's working on letting herself have feelings too. Yowch. Love her!!!!!!

- she/her

- BPD holder (mostly splits/self-demonization)

- 23

- vent posts, Girl Things™, BPD posts, Eldest Daughter trauma

- 👑

- Princess (derogatory)

Okay that's it! :)

[tenebriskukris]

Oshi No Ko Chapter 151 - My Thoughts/Analysis

It’s another setup chapter but we’re still in the beginning of a new arc so that’s to be expected. As always, spoilers for Oshi No Ko Ch 151 below.

The chapter starts with what I can only describe as the narrative glazing Kana’s acting skills. Aside from the fact that it shows that she’s recently premiered in that movie that Shima directed, it really isn’t necessary. The timeline of this manga has always been stuck in some nebulous mess of uncertainty for long enough that it could have been inserted anywhere within the last few chapters or so with ease.

Of course this entire montage of showing how good Kana’s acting ability actually is would ring a lot more true if she didn’t whore herself out to Shima in order to get a role. Much as I dislike how that entire situation went for Kana—and so much of that small mini arc in general—it undercuts Kana’s skills as an actor if her big break was because of Shima taking pity on Kana. Akane and Ruby were able to secure acting jobs without going to those lengths and were able to reach greater heights of popularity without it, so why can’t Kana achieve those same heights without couch casting?

Now that I think about it, I don’t think we’ve actually seen Kana get a role through her own efforts alone. The Sweet Today role was because Kaburagi was taking advantage of Kana in general as an actor; her role in Tokyo Blade was because he wanted to play both Kana and Akane off of each other, and even her role in the movie was because Kaburagi pulled some strings to get her on board. Even the intermission that focused on Kana and Akane basically reeked of industry nepotism, and I don’t need to reiterate what Kana was about to do to secure a role from Shima.

My thoughts on Kana’s acting ability aside, we settle on Kana and Aqua’s “date”. Kana wearing her old uniform even after she’s graduated is uh—a choice. That’s certainly some form of cosplay.

Aqua being surprised that this entire meeting is a date is—well. Kana I think if you want to actually make a play for Aqua you need to actually tell this shit to him beforehand. As far as he knows this is a casual outing with one of his friends. I expected her to do something a bit different when faced with the prospect of actually wooing Aqua, more specifically trying to actually take steps to woo him. Maybe I gave Kana too much credit. Akane’s manipulations aside, she hasn’t intentionally taken many steps to actually steer Aqua into considering her as a romantic partner in the series.

The baseball scene??? Now that’s a callback. I’m starting to see where Kana is heading with this whole mess. While Kana may look back at that time as a casual moment between two like minded people, it’s also the time where Aqua tried to vent some of his frustrations of his own Issues(™) and Kana quite easily rebuked them in favor of talking about romantic prospects. After that encounter, it doesn’t escape my gaze that Aqua hasn’t talked to Kana about his own Issues unless heavily pressed.

Oooooh future talk. Kind of hypocritical from the child actor that didn’t take steps to get into college to press people about their own future, but I don’t mean to pick at an old wound since it’s the equivalent of Kana making small talk. And Aqua’s thinking of applying to medical school??? We’d seen some similar implications go through his head during one of the interludes, but it’s nice to finally get some form of confirmation that he’s at least thought about a life after his revenge—even if he is just saying this to get Kana off his back.

Kana unintentionally dredging up Aqua’s trauma with her whole speech here. It’s a sight better than how she intentionally triggered him in Tokyo Blade, but I’m sure that doesn’t make Aqua feel much better. 

Aqua covering his face when confronted with Kana’s insight is cute, I gotta admit. The fact that it hides his star eyes in this panel here is also noteworthy. 

That dream came true when I was five years old. And Kana suffered through a dry spell in spite of it—or arguably because of it. Perhaps she can look at things with hindsight now that she’s managed to carve out a certain niche for herself in the industry but we know that Kana isn’t there just yet. Frill is a perfect example of what someone at the top of the industry looks like, and I don’t think anyone else in our cast aside from maybe Taiki is there just yet. One good movie and a small hint of stardom does not a national actress make. 

In fairness to Kana, her saying that she’s achieved her dream is a very in-character thing for her to do. Time and time again we’ve seen her immaturity and naivete undercut everything she sets out to achieve. Her inability to realize that she was being taken advantage of by Kaburagi in the earlier parts of the manga; the fact that she wasn’t able to remain professional with Aqua when he was avoiding her; her attempts to secure a role with Shima despite knowing his nature full well—the list goes on. If she really thinks that she’s become a national actress after tasting just a hint of success then that just plays into Kana’s faults even further.

I have a new dream now. I want to be the only person you look at. I couldn’t quite help but laugh as soon as Kana said this. Okay Kana, you want to be Aqua's idol? What have you done to actually achieve that? Because you have some gigantic shoes to fill in the form of Ai and Rubysarina. Her entire arc throughout the story has been towards actually being a successful actress, so this pivot leaves a bad taste in my mouth. I don’t even like Kana as a character and I’m complaining that this entire interaction did her dirty! 

The fact that Aqua didn’t even catch Kana’s baseball when she’s said this has to be some of the most godawful hit you over the head symbolism I’ve even seen from the series. There are college writing students out there that wouldn’t pull stuff like this even if they were held up at gunpoint! You’d think that an actual published series like this would have editors that strike this shit down but apparently not.

It’s not because of the fact that this metaphor it’s simple that irks me as much as it does. It’s the fact that it’s so obvious that it basically spells out that Kana’s attempts at trying to become Aqua’s star are going to be flushed down the toilet. In terms of being an idol, Kana hasn’t done anything else to engender Aqua’s devotion. As Aqua’s friend, she’s certainly become an important aspect of his life, but not so much in terms of being an idol. She does not inspire or drive Aqua’s motivations in the way an idol should—at least in my opinion.

What a fucking chapter. I’m just glad there isn’t a break next week so we can quickly see how this mess is going to turn out. At this point I just want some goddamn consequences to happen to Kana so having her lose Aqua basically sitting on her hands for the entire series is some good fucking karma. Crying and bitching about one’s love life constantly is absolutely not the characteristic of someone going to win it all as the series reaches its endgame.

I was actually surprised that there was so much talk about Kana grabbing death flags in this chapter. I mean, really, it’s like everyone forgot that most of the main cast has contractual immortality until after the interviews. Even then, Kana really hasn’t been important enough to the story since Tokyo Blade to justify any purpose of her dying aside from shock value. Even if there was something like that planned out for the next few chapters, the tension is going to be undercut knowing that most of the main cast is going to survive without any issue.

Once again the elephant in the room has to be Ruby. It’s kind of difficult to root for Kana in this instance—even besides all the reasons I’d listed so far—because we still don’t know what Aqua thinks about the kiss in Chapter 143. Anything regarding romance is stuck in a pool of indecision since that chapter and it simultaneously undercuts everything the narrative is trying to even do with Kana and Akane’s efforts to woo Aqua while leaving the actual plot of the story on the wayside. I just hope that we’ll be getting a peek into Aqua’s head while we’re unfortunately saddled back in with this romance plotline.

[marleneismydopamine]

marlene mckinnon headcanons

- takes the longest showers either cause she’s either singing every song she can think of, having those weird shower thoughts or having an existential crisis

- doesn’t really describe herself as feminine or masculine

- like people will ask her “are you a butch lesbian or a femme lesbian” and she’s just “lesbian”

- middle child

- used to play the trumpet but kinda lost it as she got older so now she still has her old trumpet and when she felt like being annoying she would just play it terribly

- hates tomatoes but loves ketchup

- always cracks her knuckles

- is an optimist or a pessimist depending on how she’s feeling that day

- like sometimes she’ll just be worst case scenario thinking constantly and other times she’s just “you know what? everythings gonna work out fine”

- her favourite genre of music is indie rock

- her guilty pleasure movies are like slasher movies that have a really generic killer

- Religious Trauma™

- double jointed in her elbow and likes to freak people out with it

- used to have really long hair because her mum liked it long and refused to let her cut it but marlene hated it and would only wear it in a ponytail

- in fourth year she got mary to cut it to her shoulders and after that year she just kept cutting her hair shorter and shorter

- she does like spicy food but the reason why she eats it a lot of it is because she doesnt want to adjust to non-spicy food and then no longer handle spice like a pussy

- poster kid for divorced parents

- once had a movie marathon with lily and mary watching the really old Disney movies and they took a shot whenever something sexist happened (they couldnt do it again bc the hangover was too excruciating)

- technically lives with her mum but she has a room at her dads place that she prefers

- has absolutely no idea what to do after school ends and is super terrified about it

- wanted a lot of piercings but didnt have the money to afford it so she just learnt how to do it herself

[denimbex1986]

'Back when All of Us Strangers first premiered on the festival circuit, critics who frequent Gay Twitter™ hinted at one particular sex scene that got everyone talking.

Well, not the sex itself. Not exactly. It's what happens after that excited people so much.

Adam (Andrew Scott) rejects Harry (Paul Mescal) at first after he shows up drunk outside his flat one night, babbling about vampires at the door. But then a chance second encounter in the strangely empty building they share leads to something deeper.

"I've been thinking about you," Harry tells Adam. "I've been thinking about sucking your cock."

There's a hunger to Paul Mescal's delivery that the usually shy Adam finds impossible to resist. Adam's walls come down as Paul enters the flat and then enters him in the first of many sex scenes that take place throughout All of Us Strangers.

Across previous projects like Weekend and Looking, director Andrew Haigh built a reputation for the way he shoots such moments so intimately, and the key is the emotional intimacy that he brings to that physical act.

This combination comes to a head (no pun intended) early on when Harry licks cum off Adam's chest, post-coitus. While the specificity of that moment might be lost on some who mistake the semen for sweat, gay audiences know exactly what's happening there.

It's shocking in the sense that this particular sex act isn't often depicted on screen (outside of the videos you watch alone on your laptop). But the moment itself passes by quick, and there's no lingering on what happened for mere shock value. It's worlds away from the bathtub antics of Saltburn, for example.

Sex on screen can often lack intimacy, especially in typical Hollywood fare. There's rarely much connection beyond the physical and that's assuming the sex is even shown on screen these days. But Haigh knows that this physical intimacy can say a great deal, that the thrill of enjoying another person's body can cement the connection between two people like nothing else.

That moment Harry licks the cum off of Adam's chest, just like the handjob in the bath or even the way they spoon each other, is one of many small milestones that bring these two lonely people closer together. Despite everything that takes place between Adam and his parents, it's this central relationship that the movie's ending, and therefore the movie itself, hinges on.

That means every single moment of connection, be it physical or emotional, is key to the devastating impact of Haigh's script. Yet that chest scene is arguably the most important, unlocking everything that follows.

Adam reveals early on that he's been afraid of sex for as long as he can remember because he grew up during the height of the AIDS crisis. For men of that generation, the joy of sex turned to fear as just one casual encounter could quickly become a death sentence. This in turn stoked more prejudice in the media, making it even harder for gay men to come out without fear of hate or disgust.

It's no wonder that men like Adam, raised in the '80s and '90s, internalised shame so deeply. If you grow up afraid of physical intimacy, of course you're going to struggle with emotional connections. That's why Adam has been alone for so long, and that's also why he's reluctant to let Harry in.

With that history in mind, the moment when Harry seductively tastes Adam's semen must have come as bit of a shock to Adam. Ingesting bodily fluids would have once been horrifying to him, it's something he would have never done himself, yet he doesn't hold Harry back or flinch. By giving into his new partner's desire, Adam begins to let down his walls when it comes to sex while also starting to overcome his trauma.

Harry has become a safe space for Adam where he can rediscover his sexuality all over again and heal. In taking this journey, Adam opens up in other ways too, most notably in how he reveals his true self to his parents.

It's a difficult conversation to have, especially with his mother, but by sharing the kind of conversations he was robbed of having earlier in life, Adam frees himself of shame, enabling him to love Harry more deeply.

It's the sex and the connection it brings that first shifts something inside of Adam. And that's why the final scene has become the biggest talking point now in light of the movie's release.

Because yes, the sex scenes are hot and exciting, but it's the emotional connection they help form that makes the end so devastating, and it's impossible to imagine All of Us Strangers without them.'

[emerals]

the lads dynamics with the adults™

this is going off of when they're preteens || excluding scrooge

as just something general:

beakley tolerates them, though there are some she likes more than others

della is capable of getting along with each of them with some time, though things are a little rough when the kids are preteens due to louie's vents and her kind of pushy attempts to get to know/along with them

donald, having a decade of experience, does better with the kids overall; there are still things he can't quite grasp, though, and he can be overprotective

launchpad doesn't have too much of an opinion on the kids, but the kids have varying opinions of him

OZZY - beakley: she wants him far away from webby and would like him not on the mansion premises, but if he brings louie joy (and as long as he abides by louie's rule about cigarettes), then she'll just keep a close eye on him; he thinks she's too strict, but damn, does he love her cooking - della: right away, there is tension between them as ozzy is very biased against della because of louie's dramatic tellings; she doesn't know about that so she tries the hardest to get along with ozzy and he finds her a try-hard because of that - donald: ozzy likes him a lot, and even though he finds it annoying, he appreciates it when donald gives him a pack of candy cigarettes every time he comes to the mansion - launchpad: ozzy sees him as a big dumb lug- but a lovable big dumb lug

JUNIPER - beakley: she likes her cooking and always appreciates a good badass woman; beakley quickly becomes exhausted of her since juniper's like webby high on sugar 24/7, but in a lot of ways she reminds her of her granddaughter, so she tolerates it - della: while juniper isn't as biased against her, there are still some things she doesn't like or trust about her- she'll oftentimes make a quick remark that hurts della, but then follow up with a "but..." statement; della loves her and her unrestrained adventurous spirit - donald: he likes her brutal honesty, even if it hurts sometimes; she adores nurturing people, and a lot of times will go to him with trauma-related things when her parents aren't available - launchpad: they exchange mechanical tips and work on things together- they teach each other things

ADEN - beakley: she finds him incredibly infuriating as he was able to figure out webby wasn't her granddaughter in the matter of weeks in knowing her along with some other secrets of hers- once he lets her know he has no intention of blackmailing her or telling anyone else, they actually get along and she enlists his help in fishing out f.o.w.l.; he finds her interesting - della: he doesn't interact (and doesn't really let her) with her much, choosing to keep his distance and figure her out like a rubik's cube; della notices he helps beakley with things and its actually kind of a blow on her self-esteem since even beakley can get along with someone - donald: donald isn't a fan of being able to be figured out so easily by a child, but a part of him wishes they had someone like him when della first went missing; the more aden looks into him, the more he likes him - launchpad: aden thinks it's commendable that someone so bumbling like launchpad can help out drake in all his crimefighting and wishes to help solve the crimes; launchpad usually mistakes him for quoting mystery movies and replicating movie scenes when he's legitimately doing detective-like things

EVERETT - beakley: they enjoy the peace and quiet that comes with the other; they like to talk about the burning world around them - della: he's dry with her as he is with most everyone- but he doesn't treat her with any hostility - donald: everett's dry with him as he is with most everyone- but he doesn't treat him with any hostility and appreciates his attempts of hospitality - launchpad: neutral on both ends

XIMENA - beakley: they love each other and ximena can be found in the kitchen with her during dinner time, preparing sweets - della: ximena treats everything said both ways with a grain of salt; she's aware of the hurt that's been inflicted, but she's a big believer of second chances and people changing; della thinks she's sweet - donald: she personally took the time to teach donald to cook certain things- they exchanged stories about their families and donald emphasizes with her - launchpad: they're just two little dorks going on with their days

KIWI - beakley: kiwi knows webby isn't her granddaughter, but she, too, isn't going to tell anyone- she isn't as close as aden is, but there's a mutual respect of sorts; kiwi reminds beakley of webby in some aspects - della: kiwi likes to keep an open mind, so she freely gets along with della; della likes her enthusiasm and joy - donald: they like each other, though there isn't anything notable to write home about - launchpad: kiwi thinks he's funny

NIX - beakley: mutual dislike; nix doesn't like how strictly protective beakley is - della: nix has a very strong dislike for della for the whole glomtales thing- this opinion sticks around for a while; della tends to steer clear a bit since nix looks like she wants to kill her half the time - donald: nix feels about him the complete opposite of della- yes, he may be too protective at times, but it isn't as strict as beakley; donald wishes she didn't see his sister the way she does - launchpad: neutral on both ends

DEAN - beakley: dean, in a way, looks up to her- though, he does agree that she's too strict; beakley sees a reflection of webby in him- but not in the good way - della: dean sought her out behind nix's back and the two got along through talks of space - donald: dean loves how protective and loving he is- it makes him wish he had donald as an uncle instead of his actual one - launchpad: they weirdly have deep talks that launchpad usually forgets about, but it lets dean let out some steam without much of a risk of it being found out; launchpad doesn't actually forget about them, but he'd never let dean know that

ASH - beakley: beakley does not like them; ash likes her food - della: ash makes snarky comments, but their real opinion of della is just of a bit of distaste; della tries to get along with them, but they don't really let her (it's like trying to get along with louie if louie wasn't related to her) - donald: he finds them frustrating sometimes, but they have quirks like louie; ash likes learning about the duck family through him - launchpad: he things they're a little mean sometimes

WHITTANY - beakley: whittany manages to surprise and flatter her a lot; beakley likes her - della: whittany's cautious around her, but they kind of get along at times; she's energetic and della likes that - donald: nothing too special, but they don't dislike each other - launchpad: they oftentimes engage in light conversations; they like each other

MARSHALL - beakley: she finds him annoying (and a bit self-destructive); he loves her cooking and will sometimes drop by just for something to eat- beakley usually has something ready for him - della: he's constructively critical of her, but he thinks she's pretty cool; della doesn't believe he's a real teenager (joking)- they make fun of trashy tv together - donald: marshall's constructively critical of him, but he overall likes him; donald doesn't like his self-destructive nature - launchpad: marshall makes a lot of jokes that launchpad doesn't quite get- or, he does, and he just plays along with it

SYLVIA - beakley: beakley gives her advice; sylvia looks up to her - della: sylvia believes people can change (to a... not good degree), so she gives della a chance and they get along okay - donald: they engage in small conversations- nothing to write home about - launchpad: they get along really well; sometimes a deep conversation will happen, but that's not often; she even goes to him for advice sometimes

VIVIAN - beakley: beakley sees through her facade, so she doesn't even try it around her; they actually get along, though - della: vivian is very confusing for della- sometimes nice, sometimes downright awful to her; no one actually knows how vivian feels towards della except for vivian herself - donald: he can sometimes see through her; vivian likes to see what he'll tolerate - launchpad: launchpad understands her and no one knows how

DOTTIE - beakley: the two conspire with each other and once or twice, beakley enlists dottie for a bit of a dabble in s.h.u.s.h. work - della: dottie's critical, but she lets her try- which doesn't usually go well (she'll accidentally trigger dottie a lot); dottie wants to let her keep trying, but della doesn't want to bring up bad memories - donald: dottie vents to him and tries to get him to do the same, but donald isn't going to let a child that isn't family- no matter how "mature"- hear his adult problems; he tries to let her feel comfortable - launchpad: neutral on both ends

HUNTER - beakley: he likes the surprising coziness she brings in homes; she's neutral towards him - della: they get along, as hunter actually listened to louie and didn't look at della like a she-demon; della loves his family - donald: they get along; nothing special - launchpad: they get along

**i would like to note that, as implied in hunter's dynamics, louie does not want his friends to hate della

he likes that some of them are getting along with her, but he isn't going to force any of the others (except maybe nix because of how extreme it is) to change their minds about her

[musical-chick-13]

Hey, can you re-imagine a wholy genderbent Deathnote, is too cursed?

Okay, it is SO funny that you mention this because I was talking to my Long-Distance Best Friend the other day about the fact that there is, apparently, (or at least was, at some point before the strike?) a plan to make a live-action TV series adaptation of this for Netflix. Which is...a whole other thing I don't want to get into, but ANYWAY.

The POINT is that we were talking about what would have to happen to make me have some modicum of hope that this might not be the worst idea ever (remember what happened the LAST time we did live-action Netflix DN, we got the 2017 movie no one needs to live through that again). And what I ultimately came up with was:

Every single character, except for Light and Raye, is now a woman. (Obviously this isn't wholly genderbent, but. It's close enough to this ask that I found it to still be a humorous coincidence.) I think in the hands of the right writer, it could be an interesting examination of misogyny and how baked-in that concept is to the justice system. (And I think it would lend extra context to the fact that Light was able to keep operating for so long. If the people opposing him are all women in a historically male-dominated field, they'd all have to contend with a type of professional and societal discrimination that he'll never have to, thus giving him an advantage. Also L would be a Weird Girl™, which would absolutely raise some interesting questions in terms of the scope of this character's influence and their societal perception. Also femslash Near/Mello would be canonically possible which is OBVIOUSLY the most important factor to take into consideration.)

Soichiro's difficulty in believing Light's guilt would gain an extra dimension if this character were also grappling with the societal expectations of motherhood (especially while being in a position of authority in a """masculine""" career). And Matsuda...I just think some woman, any woman, should get to shoot Light repeatedly in a fit of rage. (Also something-something calling women in the workplace idiots/making them the butt of the joke/consistently overlooking them, I think you could do something there.) I think this theoretical concept I spent way too much time thinking about really only works if, even though the major and supporting characters are women, it's still made clear that they work in an environment overwhelmingly occupied by men.

As for a FULLY genderbent story...Light as a female character is, to me, indeed an idea too cursed. I will not elaborate.

And I don't think the Shinigami experience the concept of gender in the way that we do, so tbh I'm not really sure a whole lot would change in that regard. But I do think a female Ryuk would be very funny.

Naomi being a man I think would be...not cursed, I just don't particularly enjoy it. But mainly that's because I am A Gay™, and I love thinking about women who are tough enough to have the word "massacre" as part of their nickname. :)

Misa being reimagined as a guy could be really interesting, though, given how a) the entertainment industry treats women differently from how it treats men, and b) the world at large generally expects men to react differently to trauma than women do. (Although I still very much prefer the version of Misa that serves as a deconstruction of the Manic Pixie Dream Girl). And I'd be curious to see what the viewer/reader response would be if this character were a man. (Mainly because, historically, audiences are a lot more positively receptive to extreme, unhealthy displays of devotion when they come from a male character than when they come from a female character, but this answer is already probably too long, so we don't have to talk about that.)

(Best Friend ALSO mentioned the idea of Rina Sawayama playing L, and I am now gay on a level I previously didn't ever think was possible, but we don't have to talk about that either.)

Uhhhh....TLDR, full-genderbent DN kind of cursed, but there are some really interesting ideas you could examine. (The one veto I'm gonna make is that I do not think this story works if Light is a girl, but-you guessed it-we really don't have to talk about that.)

Also, stan the stage musical for serotonin and clear skin!

[findusinaweek]

Tagged by @brasideios and @ainulindaelynn, thanks very much!

three ships: Alexidas because it’s my current obsession. Unhinged mercenary himbo meets Spartan general, they sync in battle (and love). That’s all I need to say. 

Eruri. I have a thing for commanders that die. 

friendShip of Margo and Elliot in “The Magicians” because it’s the queer platonic friendship I have often wanted/needed to see.

first ship: Akigure from “Fruits Basket”. I have an ongoing interest in Bad Decision™ characters. Akito deals with upholding ridiculous family standards while being raised as a gender she is not, which does not excuse her behavior but I related to it. Made me question homophobia, then made me question if I was gay. I can’t really explain my interest in Shigure. I assume it’s the concept of someone who is willing to do terrible things in order to help the person they love fit snuggly with the trauma I had experienced and who I thought I was. They are not a healthy couple but they are canon and I was smitten. 

last song: “Virtute the Cat Explains Her Departure” was playing but that’s behind glass that says “Break in Case of Fire” so now it’s Shostakovich’s Jazz Suite. Spark joy, Shosty! 

last movie: Everything Everywhere All At Once. My cousin told me to watch it and she was (as always) right. Really spectacular. I cried twice! 

currently reading: Spartan Reflections by Paul Cartledge 

currently watching: I’m not really in a watching things mood but tumblr has me scoping out TLOU and Barbarians. 

currently consuming: the tumblr scroll and levothyroxine bb 

currently craving: Stability. 

I also dislike tagging people and basically most of mutuals have already done/been tagged so uhm hello the whole of tumblr it’s your turn. 

[smartzelda]

Blorbo bingo go!

Autor (he counts he's the one your most attached too in the show. I KNOW YOU.)

Mikami

Prompto

Dib

Ienzo/Zexion (throwing him on here cuz you really were an Ienzo apologist for like a solid year buddy.)

Okay so for the good of everyone I've decided to put my answers under the cut because you *know* I can't shut up

ㅤ

Autor:

Okay you know what? That's fair. That's true. I was attached to him BEFORE I knew he was gonna be important. He was the most (side) character of all time to me

Boy sometimes your blorbo is a funky side character who just WANTS TO READ HIS BOOKS IN PEACE IN THE LIBRARY, DAMMIT

(And uh also stalk the pretty boy who comes by to search all the fairytales who you just so happen to be uper jealous of because he gets to live the topic of your special interest)

But he's idk he's more of a voice of reason for other characters, especially early on, but he's also definitely passionate. Somewhere between sensible and will do anything kinda guy. It's almost surprising he hasn't killed a man yet.

ㅤ

Mikami:

*GASP* HIM

I ADORE HIM

Okay I'm aware I'm going to have to explain myself a little

The feral square refers solely to the fact that he gets very much feral when he's passionate about something or generally *really* feeling an emotion. I think how he acts when he writes names in the death note + is noticed by Kira and during the entire yellow box scene (at least in the anime) is proof enough

I will not be explaining the Autism™ square. If you can't get it then 🤷 All you need to know is that even though it's not technically canon it means so much to me that this absolutely factors into his childhood and how things happened to him

Haha you know he's my favorite I couldn't hide it if I tried

He's my pathetic meow meow because he's a serial killer and he dies so tragically and just...sad. He's pathetic and committed atrocities and I love him

Let's be clear, when his mind is at it's clearest, he *is* the voice of reason. And yes this cam be true despite the murder. He has a strong black and white idea of right and wrong, and if he thinks something is wrong he cannot be swayed. It's probably only around Light those reasoning skills dwindle

Technically accidental parental figure is movie canon. I may not have watched the Japanese death note live action movies yet, but by god I live for Teru Mikami adopting Hikari Yagami. Now, of course I'm disappointed from what I know about how that specific plot works and how the movies handle Mikami, but...it's better for the brain if I think about Mikami adopting Light's son and pretending the rest of the plot surrounding that doesn't exist.

By god he needs it so bad. I think most people think he just needs it because he's "insane", likely evidenced by how he acts in the yellow box scene or when writing names, but it’s so much more than "oh, he needs therapy because he's crazy". No, dudes. He's *traumatized* traumatized. I'll spare you all most of my essay for now, but if you take a look at how he narrates his own backstory, it becomes so clear just how messed up a lot of things were, and how some of his feelings on the matter arised after the fact. Teru Mikami, as a middle schooler, did not actually think his mother should die because he asked her to prioritize his own wellbeing and stand down so he wouldn't be bullied. He didn't even begin to think that she must've deserved it and that it was divine justice until she'd died and he had to cope with it. Who he is is such a mix of all the trauma he endured by the bullying and uh harrassment (an understatement), having an absent parent, definitely being neurodivergent, trying to solidify clear differences between right and wrong, being orphaned as a young boy and having to cope with his mother's death, and just...god. Like, come on. There's no way that deciding his dear mother must've deserved death and *that's* why she died along with his bullies, turning from defending the weak to taking out "the bad people", and deciding that he's god's poor meow meow and *that's* why all this is happening because he's "chosen" aren't at least partly coping mechanisms of some sort. Okay, okay. I'll spare you all the full essay

Do I even need to say it? I need to be him now absolutely now. Pretty man with longer hair in trench coat and ah

I mostly marked the muse one for the "haha he's god's poor meow meow" joke but also god I have so much fic I need to write for this man

There's nothing like having identity crisis (in terms of neurodovergence) because you relate too well to a character who is absolutely not neurotypical and dealt with largely similar social problems (minus most of the harassment) to you while also being an intelligent overthinker haha

I don't 100% know why I marked this but it is not derogatory. Does he have a super tragic and traumatic backstory? Check. Is he also literally built to be god's perfect number one follower? Yes. My man looks good and neat, he washes regularly, he can cook, he started working out, he literally thinks he's god's poor meow meow, and he happens to think very very similar to Light so he does get praise. Like of course it implies he worked for most of what he had but by god man he's basically perfect? Like if I was Light I'd malewife him here and now. His life also went coincidentally so just so he *could* see himself and actually become god's poor little meow meow

There are so many reasons to be feral about Teru Mikami

ㅤ

Prompto:

Aaaa I haven't talked about him in a while but god I love him

I need to preface this by saying I only marked angst machine because he is a secret angst machine. Once you get more of his character it just starts leaking out until the dam bursts, man

He is like, quite literally that character who is happy go lucky and a sunshine boy and he's the protag's best friend and everything is great, right? Right??

Wrong. He struggles heavily with body image and fatphobia, his outgoing sunshine personality began as a cover so he'd be more appealing, he feels like a living lie for so many reasons (given that there's a blurred thin line between what of his personality is actually him and what's a curated mask, he pretended he wasn't who he was as a kid thinking Noctis would find him more appealing as he is now, he keeps most of his real thoughts and feelings and insecurities inside because he's afraid to burden them, he feels like an outsider in his own friend group because Noctis is the prince and Gladio and Ignis are connected to that, meanwhile he's just some commoner, and he's not only secretly *from* the empire Noctis's kingdom is at war with, but also was born to become I believe the energy source for the empire's robot soldiers (ik what they're really called don't worry about it)), and he even has an identity crisis! *slaps head of boy* You can fit so much trauma into it! Oh, and also it's implied that his adoptive parents are basically never around and that he's not sure if they care about him so

He needs therapy so bad

He also needs a kiss from his best friend as a treat. It wouldn't fix him but it sure would help

ㅤ

Dib:

Hehehehehehehhehehehehehehe

God I miss him

I am

Mmmmmm

I am literally vibrating okay ah so many thoughts whirring around the brain

I hope what this gets across is that he's an absolute bastard who really has an abnormal threshold for "just a normal Tuesday" and an interesting set of morals. He's a feelings denier, he's absolutely traumatized by all the shit in his life (what, from everything with Zim to going through literal torture to being basically locked in an insane asylum as a child to no one, even his father, ever believing him, to just trying to please a father who's never around and never seems to actually be proud of him, to the best friends he's ever had being another kid who's also probably heavily traumatized and is basically his stalker and well Zim). Whether canon or in aged up fanon this boy is messed up and traumatized, neurodivergent, self sacrificial, easily angered, passionate, and bad at feelings.

ㅤ

Ienzo/Zexion:

Hey HEY

I'm actually still an apologist thank you very much

Yes he did bad things no matter his circumstances and enjoyed it, and yes I acknowledge he could end up turning on the main cast and betraying them

However also he can do no wrong I love him in fact if he just so happened to uh get rid of Ansem tw I would say he deserves it. He can do whatever he wants

By god I am...too tired to go into it right now but wtf when you did into him just

By god so many things have happened to him. At least the rest of the org were older teens this boy was AN 8 YEAR OLD when he became a nobody. Think about that. You're an orphan kid who's practically adopted by the local king and the stern cold man of science. The former is "the fun dad", which means he uses you as an excuse to get his favorite icecream. He doesn't actually hang out with you because he wants to hang with you and doesn't seem to do most of the real parenting. The former cares about his science projects above all, and while he probably does all the parenting work he's far from warm and caring. And then all the people you live with/your older friends practically dramatically exile your technical adoptive parent and convince you that he deserved it, and then coerce you into you know literally having your heart pierced so you can divorce your heart from your body and not have to deal with pesky feelings. So he gets drawn into a literal cult at age 8. And then for the next like eleven years grows up as a nobody/without his heart while being told he's now broken without it and will never be able to truly feel emotion and care, and is also basically raised through these years by said cult made up of his friends and some sketchy people. And then of course he basically dies before coming back to life, and sure he's technically whole but he has complicated feelings about all this and of course now his technically adoptive father is back and just does not acknowledge what he put him through (Ienzo ends up being the one apologizing for everything in front of him as if he's taking the responsibility of it all above himself). I swear he's a ticking time bomb there's no way he can just stay okay with everything that happened to him.

ㅤ

Anyways, thanks for the ask, Xion! You know how I love essaying on my favs🥰

[kunaigirl]

murder drones looks cool! uh is there any trigger warnings I should know about before I dive in? also where do you watch it?

Murder Drones is an indie animated youtube series, so you can watch it all for free on youtube! All 7 episodes (so far) are up on the official Glitch YT channel! As for trigger warnings??? Ok this is going to be A List™: -A LOT of gore, and I mean A. LOT. -Think like, the SAW movies. -A LOT of on screen death. -Super fucked up imagery in general -Decent amount of jump scares -General constant horror elements -Cannibalism??? Cannibalism. -A LOT of existential dread/self hate -Reality questioning/unreality/etc -A lot of violent character trauma in general NOTE! These characters are robots. Maybe that'll make a difference since it's not like, human gore? But at the same time they use robot blood in the same way a super gore-y anime would soooo...guess it depends? Specific TW: -There's a specific scene of a character self-harming. It's a scene where a character HAS to injure themself in order to survive, but yeah they literally repeatedly say "I deserve this" over and over again, so even though it was a "necessary" action for this character's survival, it's still very much blunt self harm. Once again, a lot of violence.

There's probably more but these are the one's I can think of off the top of my head. Think of this series as an abstract survival sci-fi horror with a few comedy moments here and there between all the trauma lol.

[official-panini]

rwrb movie aka "a shitshow"

rating: 1 star, if you want something like the book this is not the place to go.

i watched the movie last night and i have a lot of Thoughts™. i have undone my tumblr exile specifically for this. this may be incoherent but bear with me pls.

there will be spoilers after the cutoff

i had 3 main issues with the movie. obviously i knew it wouldn't be perfect to the book (that would have added at least another 2 hours) but it felt like the screenwriters didn't have any idea what the core of the book was about....... so yeah i have come back to tumblr simply because of this movie.

Diversity: the books had SO MUCH diversity. Nora was bisexual, Pez was 100% queer, these two and June were in a very obvious polyamorous relationship (THEY GOT RID OF JUNE!!!). Amy was trans and had a wife. Rafael Luna was cut out entirely, so we lost a gay Mexican senator who had experienced sexual assault. Oscar wasn't even senator, so we got to see zero (0) Mexican senators. even in terms of other types of diversity, there was less. for example, Ellen wasn't divorced, the movie was just a perfect little nuclear family. not to mention it was Henry's grandpa that was king? instead of having a queen? like the vibes were so different because of that. not to mention, Bea wasn't ever addicted to cocaine. i mean, that added so much to the idea that the royal family wasn't perfect (they made her a pretty little useless princess in the movie).

Palatability: I don't know why I expected better from Amazon, but I was so disappointed. this goes hand in hand with diversity, but i feel like they watered down so many of the themes to appeal to straight audiences? it felt like the difference between "flamboyant" gay vs "quiet, doesn't talk about their sexuality" gay (hint: the second one is the type cishets want from us). even just the way that the only time we see a pride flag is in the reflection of the window. also, one of the scenes i really wanted to see was after henry/alex were outed and we'd see a montage of ppl on the internet speaking out for them, saying stuff like "this was an invasion of their privacy" "they deserved better" "we support you" "you made me more comfortable with my sexuality", etc. AND ESPECIALLY THE "HISTORY, HUH?" SHIRTS. JUST READING ABOUT THEM MADE ME CRY. basically the movie tried to ignore their queer identities past the trauma involved. they didn't celebrate the gayness, they only used it to be like "boohoo they're sad cuz they can't come out".

Character Development: Henry had a plot arc that i felt was more similar to the books, except for the fact that it focused on himself accepting his gayness instead of accepting himself in general. BUT ALEX. THEY DID HIM WRONG. i mean, he didn't have a sexuality crisis on screen (liam was completely ignored). but what really annoyed me was how they didn't show the "fire under his ass" and how he put it out. the entire thing in the book was that he wanted to do everything fast, as young as possible. his entire character arc was learning from June and Henry that he could slow down and get there in his own time. but instead he felt like a plot device to help henry in the movie, like he didn't have a personality beyond helping Henry (and occasionally campaigning for Texas, but w/o his character development we don't even know why he wants Texas so much)

Plot arcs: again, i should have expected this. but. i didn't. in the book, while the overarching plotline was the firstprince romance, a lot of other stuff happened too. while i would argue that there were many mini subplots, the big one was with Richards. he was the one who orchestrated the emails, who leaked them, who tried to sabotage the Claremont administration. and Luna defecting to gather information was so important because of the betrayal + forgiveness + trauma. like the election was so important in the book yet it felt like a background feature in the movie. other subplots that were taken out: june's displeasure with being used as a tool for her mother, henry's mother finally coming out of her room and fighting for something, even just Alex giving the speech in Austin during the election! it didn't even have "you obtuse fucking asshole", the best line in the whole book. it became a pure romcom instead of a contrast between love and politics.

tl;dr: the book was an escapist fantasy that painted a whole world that i would like to run away to, the movie was about two people falling in love with each other (it's hard to escape to a world made for only two people).

anyway i hated it, would not recommend.

[girlhelpicf]

SPOILERS FOR SMILE 2022 AHEAD

smile, not to be confused with smile hd by mister davie, is a horror movie released last year with a surprisingly out of character ending for a movie supposedly about overcoming trauma.

although i enjoyed the movie (read as suffered minor delusions for the next 24 hours after watching it), the monster design was admittedly laughable, the set design was lacking and the ways in which the smile motif was expressed was ridiculous at times.

but im not here to critique the movie today.

im not here to point out the shattered glass motifs, im not here to rag on the monster design, im not even here to talk about how the mother near the end was an obvious reference to the crooked man who lived in his crooked house.

its all about COLORS

in the beginning of the movie, the color palette is set up.

very obvious theming of warm and cool contrasting tones, mostly oranges and blues. in the scene pictured above, rose is wearing a light blue shirt and laura is wearing warm greens and dull yellows.

as we progress through the scene, it becomes glaringly obvious that laura is sick in some way until the titular smile appears on her face and she commits a violent suicide. sad. anyways.

this theming of orange and blue adjacent colors can be passed off as being simply the aesthetic of the psychiatric ward rose works at. orange and blue are complimentary colors that can have their shades adjusted and still work together nicely. but then you start seeing it everywhere.

and it becomes

pretty fucking obvious

that this means something.

but what?

as the movie progresses, the colors get darker. this is common in horror movies that want to shift the palette of the movie to gradually match the dark tone the plot is taking on. although, when rose visits the prisoner to find out how this is all going to end, she is bathed in an almost fiery light.

i thought, naively, that the fact that her general color palette was shifting to warmer tones represented some kind of hope. that this was an early signifier of a good ending, given that whenever the monster appears the movie adopts the twilight filter™.

when the movie got dark, rose was always the warmest thing in the room. obviously this means shes full of life and hope and she’ll beat the monster and everything will be ok.

i mean, she just burned the monster alive, the orange fire means healing it means hope. and look shes at joels house and the colors are so warm and bright and this is such an in character ending for a movie with this trauma centered theme and

what

huh

WAIT

IS THAT FLAME ORANGE AND BLUE.

(it was, in fact, orange and blue. obviously. BECAUSE THATS WHAT A FLAME LOOKS LIKE)

orange and warm tones had meant defeat from the beginning. it was the lights behind rose when she watched her mom overdose, it was the outfit laura was wearing, it was the light shining on rose when she was told she had to kill somebody to escape, it was the flowers in the vase in the beginning and it was the blood that splattered on rose when laura died. the orange represented a flame (represented a trauma) that would swallow its victims whole.

the blue is the monster, the blue is all the people disregarding roses struggle, the blue was the shirt rose wore when she didn’t believe laura, the blue was the clothes rose was wearing when she LET her mom die, and the blue is the base of the fire, the origin and its most burning point. the part of the fire that would hurt the most to touch. anyways if i ever see orange and blue paired together again im going to throw up and die bye

[luxurybrownbarbie]

Just finished Everything Everywhere All At Once… don’t text.

[pieceofourworld]

LITERALLY THOUGH-

Like I love Jamikali mostly in AU/Post-Canon situations, but in canon they are still so good, for this exact reason. They are both GROWING and MATURING and UNDOING GENERATIONAL TRAUMA (recurring theme throughout TWST, which is fitting since Disney/Pixar's recent movies have tackled these topics head-on - namely Encanto and Turning Red).

Anyways, some evidence of Jamil being very much Not Emotionally Mature™:

Saw Grim and Yuu, the people at the center of the last three overblots (who also stopped three tyrants in the process), and thought "ah yes these are the perfect people to lock in my dorm".

That time he was so offended that the basketball club called his food bland that he spent most of culinary crucible making sauces in six different colors.

When he thought he was flawless in his fairy gala performance and that Kalim and Leona were the problems, only for Vil to get his ass and tell him his stiffness and lack of passion potentially made him the worst offender.

Every time he says or does anything unnecessarily petty. You're not immune sir, you've done this at least 20 times.

When he found out Malleus was going on the Scalding Sands trip and tried to convince him not to go because it could cause an international incident if something happened, only to almost cause said incident by indirectly insulting him multiple times.

Literally the entirety of 6-67 where Leona's calling him out on his emotional immaturity.

Kalim: *tries to do something* Jamil: *stops him from doing thing and does it himself* Also Jamil: "Why can't Kalim do anything?"

(^ I realize most of this last one is on order from his parents but like...you could have let him fetch the ice cream bestie 😭)

The most damning piece of evidence: I relate to him too much for him not to be at least a little emotionally immature lol.

Jamil and Kalim are great because yeah Kalim isn’t mature in the traditional way but guys Jamil is so not emotionally mature. They like balance each other out because they are both stupid just opposite. I hope they learn from each other and grow as people. I REALLY AAAAAAAA-